About 82 minutes
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Places Peoples
18,739 recorded words. 22 minutes difference from this book's estimate.
View Gutenberg source #52853For The Mentor: Bolivia, vol. 5, Num. 18, Serial 142, November 1, 1917 — Reading Companion, the stored edition analysis reports 13,797 words, 1 hr estimated reading time, and 7 detected text sections.
The text analysis averages about 19.1 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Bolivia -- Description and travel,” connecting these edition facts with the source record’s subject description.
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About 82 minutes
Places Peoples
18,739 recorded words. 22 minutes difference from this book's estimate.
View Gutenberg source #52853About 174 minutes
Places Peoples
39,916 recorded words. 114 minutes difference from this book's estimate.
View Gutenberg source #52706About 199 minutes
Places Peoples
45,744 recorded words. 139 minutes difference from this book's estimate.
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The Mentor issue on Bolivia opens not with a traveler's anecdote but with a sociological excerpt by James Bryce, describing the Bolivian Indian as "still only a half-civilized man and less than half a Christian." This blunt assessment sets a tone of detached observation that carries through E. M. Newman's own reporting. The reader immediately confronts a colonial-era perspective, where the Indian is portrayed as retaining "primeval Nature worship" and secret dancing guilds "of whose mysteries the white man can learn nothing." The opening thus frames Bolivia through a lens of racial hierarchy and cultural distance, a stance that colors every subsequent description of the land and its people.
The middle portions of the text shift from Bryce's generalities to Newman's specific observations of La Paz. The city is described as "overwhelmingly Indian in point of population" yet "decidedly modern" in appearance. Newman notes the cobblestone streets, necessary for foothold on steep hills, and a municipal law that bans llamas from thoroughfares during business hours. At sunset, however, "long trains of these quaint animals" are driven home, lending "picturesqueness to one of the most unusual cities." The cold is a recurring detail: coal costs $60 per ton, few houses are heated, and hotel guests pile "all the available covering that he can obtain, including the carpet on the floor." These concrete, sensory details—llamas, cobblestones, cold—give the reader a tangible sense of place, even as the author's tone remains that of an outsider reporting curiosities.
Among the more striking middle excerpts is the description of Cholo women wearing "from twelve to twenty skirts." Newman reports that contests are held between "Indian belles" to display the most "gorgeous petticoats," with a winner said to have shown twenty-four. The passage is presented as a curious spectacle, without deeper cultural explanation. This treatment aligns with the overall pattern of the text: Newman records what he sees—the number of skirts, the colors, the competition—but does not probe the significance for the women themselves. The reader is left to wonder about the social or ritual meaning behind the display. The excerpt thus exemplifies the work's strength in vivid reporting and its limitation in cultural interpretation, a dynamic that a first-time reader should keep in mind.
Later in the text, Newman turns to religion, noting that both Bolivians and Indians are "as a rule, Catholics." The Corpus Christi day procession is described in detail: thousands participate, Cholo women replace straw hats with shawls, and church societies are indicated by colored ribbons. The President and members of Congress march to the cathedral, and altars are erected along the streets. Newman asserts that "religion has a strong hold on the people of Bolivia" and that "one not affiliated with the church is looked upon with suspicion." These observations, while informative, are presented as general statements without supporting evidence from the excerpts. The reader should note that the text moves between specific scenes and broad claims, and that the latter may reflect the author's own assumptions rather than verified facts.
The final excerpt describes the Alameda, La Paz's most attractive thoroughfare, lined with legation buildings. Newman wryly observes that one may "walk along this street and seek for the most unattractive building and be quite sure that it is the American legation building." This moment of humor is rare in the text, which otherwise maintains a serious, reportorial tone. The Alameda is presented as "the center of diplomatic life," with almost every government represented. The passage offers a glimpse of the expatriate community's perspective, contrasting with the earlier focus on Indian life. For a first reader, this section underscores the work's dual interest in both the local population and the foreign presence, a tension that runs throughout the issue.
Reading the excerpts in sequence reveals a work that moves from broad sociological claims to specific, often picturesque details of daily life in La Paz. Newman's eye for the unusual—llama trains, skirt contests, unheated hotels—gives the text a documentary quality, while Bryce's opening essay establishes a framework of racial hierarchy that the reader may wish to question. The issue is best approached as a period piece that captures one traveler's view of Bolivia in 1917, valuable for its concrete observations but limited by its colonial perspective.
This month’s guide to Newman’s Bolivia, with its cold evenings and patient llama trains, reminded me how a traveler’s eye can hold a place gently. I once felt that same quiet attention in Haw-Ho-Noo; Or, Records of a Tourist — Key Ideas to Explore, where wandering felt less like seeing sights and more like simply being alongside the hours. Both books keep their distances warm.
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